Bretman Rock’s Jungle Rock Lip Gloss

December 11, 2020 182,992 Comments
Bretman Rock Wet N Wild Collection

Bretman Rock Wet n Wild Lip Gloss Collection

6.2

Formula

8.0/10

Shimmer

7.5/10

Pigmentation

3.0/10

Pros

  • Good Hydration

Cons

  • Short Longevity
  • Sticky

If there is any lip product that can instantly change my mood for the better, it’s a fun, sparkly lip gloss. When Bretman Rock collaborated with Wet n Wild, I was super excited because I know that Bretman Rock delivers on the glam.

They are all clear lip glosses with different color sparkles that turns the fun factor all the way up. Every angle that the light hits give you a whole different vibe. If you have more pigmented lips then these might not show up on your lips but they also make a great lip topper over your favorite lipstick.

These lip glosses provide great hydration and decent sparkle that is not overpowering. I thought the packaging was playful and maybe just a little bit juvenile but overall these glosses are great as an introductory gloss for someone just getting into makeup or just to keep around in your purse for touchups.

Freaky

Bretman Rock Freaky Lip Gloss
Bretman Rock Freaky Lip Gloss
Bretman Rock Freaky Lip Gloss

Fearless

Bretman Rock Fearless Lip Gloss
Bretman Rock Fearless Lip Gloss
Bretman Roc Fearless Lip Gloss
Bretman Rock Fearless Lip Gloss

Ferocity

Bretman Rock Ferocity Lip Gloss
Bretman Rock Ferocity Lip Gloss
Bretman Rock Ferocity Lip Gloss
Bretman Rock Ferocity Lip Gloss
By PuckerUpBabe

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182,992 thoughts on “Bretman Rock’s Jungle Rock Lip Gloss”

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  4. Nothing signals the start of winter quite like the return of the Fair Isle knit.
    Once considered ‘ugly’ knitwear we’d only pull out
    from the back of our wardrobes as an alternative to a Christmas jumper (especially the red-nosed reindeer kind à la Mark Darcy
    in Bridget Jones’s Diary) or for a winter sport holiday (specifically for après-ski), the Fair Isle jumper has now become somewhat of a fashion statement.

    The knit is named after the small, eponymous Shetland Island in Scotland and uses
    a traditional knitting technique to create those distinctive patterns with multiple colours.
    It was brought into vogue by an earlier Prince of Wales
    (later Edward VIII) in the 1920s, and has remained
    a casual wardrobe staple for members of the Royal
    Family, including Kate Middleton, whose
    jumper collection includes at least three different Fair Isle
    designs.

    Kensington Palace

    Another fan of the nostalgic knit is Alexa Chung, who
    recently layered a Fair Isle vest by Molly Goddard over a light blue button-down in a snap for Instagram.

    The It-girl previously also wore a V-neck vest from Cotswolds-based
    knitwear brand Cooking Apple, and sported a chunky Fair Isle crewneck with white, straight-leg
    jeans, black loafers and an oversized, black leather blazer to ring in the
    festive season at private members’ club in London last year.

    A host of designers have dropped Fair Isle-inspired knits
    for AW24, proving the multicoloured jumpers have become a timeless investment.
    If, as in our case, that £1,885 cashmere
    turtleneck from Loro Piana is a little out
    of your budget, there are countless options on the
    high street. The cropped cardi from Hush certainly caught our attention,
    as did the Fair Isle knit that was featured in the John Lewis Christmas
    advert.

    John Lewis

    Scroll down for our pick of the cosiest patterned knits
    to shop right now.

    The best Fair Isle knits for AW24 

    £49, John Lewis 

    £46, Next

    £115, Nobody’s Child 

    £140, Hush 

    £50, Gap 

    £179, Holland Cooper 

    £35, M&S

    £94.99, Superdry 

    £79, Albaray 

     

     

     

  5. Terrifier 3 star David Howard Thornton has broken his silence on the low-budget horror film demolishing $200m flop Joker: Folie à Deux
    at the box office.

    The grisly film – made for about $2 million – stars Thornton as homicidal
    clown Art who brutally murders an array of victims in stomach churning scenes – with the
    film knocking the starry Joaquin Phoenix and Lady Gaga film off
    the top of the US box office last week.

    Thornton said the runaway success of his film had left him stunned as
    he likened to battle of the two films to ‘David vs Goliath.’ 

    He told TMZ: ‘Terrifier 3 was a small lower budget independent film…
    I never expected this to happen in my life, I’m floored and grateful for it all.

    ‘We’re grateful to the fans, we have a dedicated fanbase, we weren’t beholden to the studio system.

    Terrifier 3 star David Howard Thornton has broken his silence on the low-budget horror film demolishing $200m flop Joker:
    Folie à Deux at the box office (pictured as Art the clown) 

    The grisly film – made for about $2 million – stars Thornton as homicidal clown Art
    who brutally murders an array of victims in stomach churning scenes
    – with the film knocking the starry Joaquin Phoenix
    and Lady Gaga (pictured) film off the top of the US box office last week 

    ‘We turned down studios as they wanted to compromise the
    integrity of the film and we wanted to stick to what the fans wanted and we
    wanted.

    Read More

    Terrifier 3 dethrones Joker: Folie À Deux as box office champ

    ‘This shows Hollywood that we need to start making movies that take risks again.

    The star said he had yet to see the panned Joker sequel, saying:
    ‘I was shocked too as the first Joker film I loved,
    I’m curious to see why people aren’t as crazy about the second one.’    

    Terrifier 3, written and directed by Damien Leone, is an un-rated blood fest,
    which has received a 78-percent rating from the critics
    on Rotten Tomatoes.  Audiences have ‘certified’
    it ‘hot’ and given it a healthy 90-percent on the popcornmeter.

    The film earned $18.3 million at the box office according to The Numbers.   

    Landing in third place was Joker: Folie à Deux.
    After winning the box office competition during its debut weekend could not overcome the bad reviews, enduring an 82-percent decline in ticket sales.

    The movie collected only $7.055 million, in spite of being in more than four thousand theaters across the US. 

    Thornton said the runaway success of his film had left him stunned as he likened to battle
    of the two films to ‘David vs Goliath’ – pictured last week

    He said: ‘Terrifier 3 was a small lower budget independent film…
    I never expected this to happen in my life, I’m floored and grateful for it all’

    The musical is ‘poised to lose at least $150 million to $200 million in its
    theatrical run’ according to the publication.

    The movie studio spent about $200 million to produce the film and about $100 million on marketing
    and distribution, according to the report.

    It would need to gross about $450 million at the box office to break even — when factoring in the cut taken by
    theaters — though Warner Bros. sources claim the number is $375
    million.

    A Warner Bros. spokesperson responded to the report, saying ‘Any estimates suggested
    by anonymous “insiders” or “rival executives” are grossly wrong and continues a trend where
    rumor is reported as fact.’

    ‘The film continues to play in theatrical release, included with this week’s opening in China, and will
    continue to earn revenue throughout its
    home viewing and ancillary run.’

    So far, the musical about Batman’s nemesis has grossed $51.5 million domestically and $165 million globally after two weeks of release.

    The film is ‘poised to lose at least $150 million to $200 million in its theatrical run’ according
    to the publication

    In comparison, the first Joker grossed $96.2 million domestically and $248.4 million globally after three days of release.

    The hotly-anticipated sequel to the 2019 billion dollar Oscar-winning film was considered a
    surefire hit for Warner Bros Pictures, yet ended
    up being slammed by critics and failed to ignite at the box office. 

    Joker: Folie À Deux has garnered the lowest CinemaScore in comic book
    movie history as the film bombed at the box office on opening night. 

    Joaquin PhoenixLady Gaga

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  9. The Australian city that became a global food and drink powerhouse
    [url=https://nebrehnya.com/news/item/16792-ot-life-is-good-do-begstva-na-kariby-moshennicheskie-shemy-vasilenko-na-mezhdunarodnoy-arene]??? ???? ?????[/url]
    Sydney or Melbourne? It’s the great Australian city debate, one which pits the commerce, business and money of Sydney against cultural, arts-loving, coffee-drinking Melbourne.

    While picking one can be tricky, there’s no denying that Australia’s second city, home to 5.2 million people, has a charm all of its own.

    Melburnians (never Melbournites) get to enjoy a place where nature is close by, urban delights are readily available and the food and drink scene isn’t just the best in Australia, but also one of the finest in the world.
    There’s no better way to start a trip to Melbourne than with a proper cup of coffee. Coffee is serious stuff here, with no room for a weak, burnt or flavorless brew. The history of coffee in Melbourne goes back to the years after World War II, when Italian immigrants arrived and brought their machines with them.

    Within 30 years, a thriving cafe scene had developed and, as the 21st century dawned, the city had become the epicenter of a new global coffee culture. The iconic Pellegrini’s on Bourke Street and Mario’s in the Fitzroy neighborhood are the best old-school hangouts, while Market Lane helped lead the way in bringing Melbourne’s modern-day coffee scene to the masses.
    Kate Reid is the best person to speak with about Melbourne’s coffee obsession. The founder of Lune Croissanterie, she was once a Formula 1 design engineer and has brought her expertise and precision to crafting the world’s best croissant, as well as knowing how to brew a coffee, and specifically a flat white, just the way it should be.

    “Good coffee is just ingrained in everyday culture for every single Melburnian now,” says Reid. “I think that that peak of pretentious specialty coffee has come and gone, and now it’s just come down to a level of a really high standard everywhere.”

    That’s clear when she pours a flat white. Describing herself as a perfectionist, the way she froths the milk and tends to the cup is a sight to behold.

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